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Pages
- ‘The Strad’ magazine 4th-finger article: two additional studies
- About the Author
- About Violinworks
- Are you hitting adjacent strings?
- Backing Tracks Chapter 5
- Email the author
- Is your sound scratchy?
- Links
- Playing accented notes
- Tuneful Octaves
- Book 1: Contents
- Chapter 19: Syncopated Rhythms
- Chapter 1: Introduction
- Chapter 14: Further bowing techniques
- Chapter 15: Major scales and arpeggios
- Chapter 16: Dotted crotchet rhythms
- Chapter 16: Dotted crotchet rhythms
- Chapter 18: More scales and arpeggios
- Chapter 20: Compound time and semiquavers
- Chapter 2: Holding the violin and playing pizzicato
- Exercise 1: Left Hand Pizzicato
- Exercise 2, page 13: Pizzicato open strings
- Exercise 2, page 18: Reading rests
- Exercise 4, page 14: Peaceful Pizzicato
- Exercise 5, page 14: Open String Waltz
- Exercise 6, page 14: Peaceful Pizzicato
- Positioning the left hand
- Strumming Tune
- Putting the shoulder rest on the violin
- Positioning the violin on your shoulder.
- The violin is lighter than you think!
- Look, no hands!
- Forming the basic left-hand shape
- Moving to the beat
- Playing pizzicato
- Chapter 3: Notation, pulse, and rhythm
- Chapter 4: The bow hold
- Chapter 5: Introduction to bowing
- Chapter 6: Further bowing techniques
- Chapter 7: Introduction to the left hand
- Chapter 8: Getting started with the left hand
- Chapter 9: 1st finger
- 1st finger notes
- 1st-finger warm-up exercise
- A Gasn Nigun
- Ghost notes and left-hand relaxation
- Habanera from Carmen
- Indian Song
- Jesu, Joy of Man’s Desiring
- Keeping fingers close to the strings
- Pachelbel’s Canon (1st finger)
- Playing harmonics
- Reel for Roller
- Retaking the bow
- Russian Polka
- The Acrobat
- The Cajun Fiddler
- Exercise 2: 1st finger position, thumb tapping, and lift and drop
- Chapter 11: High 2nd finger
- 2nd finger notes
- Argentine Dance
- Au Clair de la Lune
- Cha cha cha
- Lyme Bay
- Maiden Castle
- Major 3rd warm-up
- Placing fingers across two strings
- Practising the movement of the 2nd finger without the bow
- Prelude
- Semitone warm-up
- Shake them Simmons Down
- Slurring notes together
- Spanish Dance
- Stopping perfect 5ths
- Traveller’s Whistling Tune
- Try… transposing Au clair de la lune (page 62)
- Chapter 12: More on 3rd finger
- Chapter 13: 4th finger
- Chapter 10: Dynamics and articulation
- Book 2: Contents
- Chapter 10: New Bowing Techniques Part 3
- Chapter 11: Quaver triplets and swing quavers
- Chapter 12: Double Stopping
- Chapter 13: Chromatic Scales
- Chapter 14: 3rd Position
- Chapter 15: Shifting between 1st and 3rd position
- Chapter 1: Introduction
- Chapter 2: New Bowing Techniques Part 1
- Chapter 3: High 3rd Finger
- 1st-finger sliding semitones
- 3rd-finger sliding semitones
- A Csitári Hegyek Alatt
- Arabic Dance
- Arirang
- Augmented 2nd exercises
- B flat major scale and arpeggio
- Call and response: High 3rd finger
- Cielito Lindo
- Crossing more than one string; Martelé and String-Crossing Study
- Earl Richard
- Exercise 3: Playing Mattachins (Sword Dance) by ear
- F major scale and arpeggio
- Fingering notes a tritone apart; Theme from Trout Quintet
- Flow my tears
- Guanabara Bay
- High 3rd-finger notes
- High 3rd-finger warm-up
- High and low 3rd-finger exercises
- Hooked bow-strokes in syncopated rhythms
- Hungarian Dance No. 1
- Kumbaya
- Linked staccato up-bow strokes and Mozart Andantino
- Linstead Market
- Low 1st-finger exercises
- Low 4th-finger notes
- Low 4th-finger warm-up
- Menuet from Notebook for Nannerl
- Moving between 01-2-3-4 and 0-12-3-4 fingering patterns
- One-octave dominant 7th arpeggios and Little Laendler
- Playing with low and high 4th-fingers
- Roda de Choro
- Theme from March Militaire No. 1
- Try… Improvising an Indian-style melody
- Two-octave A major scale and arpeggio
- Waltz from The Sleeping Beauty
- Wy Fum’th in Fight
- ‘Clair de lune’ from Suite bergamasque
- Chapter 4: Low 1st Finger
- Chapter 5: Low 4th Finger
- Chapter 6: Vibrato
- Chapter 6: Vibrato
- Chapter 7: New Bowing Techniques Part 2
- Chapter 8: Augmented 2nds and dominant 7ths
- Chapter 9: Minor scales and arpeggios
- A Ya Zain
- Allegro in the style of Telemann
- Ballade Op. 118, No. 3
- Circular bowing and forearm rotation; String-crossing study
- El Choclo
- Lifted staccato up-bow strokes and Menuetto from Symphony No. 36
- Minuet in G minor
- One octave harmonic and melodic minor scales; minor arpeggios
- Theme from ‘Summer’ (first movement)
- Lost password
- Register
- Topics
- Welcome to the Violinworks website.
- Home
- Backing tracks: chapter 2
- Bow hold exercises
- The ‘dead-weight’ right arm exercise
- Right arm movement for whole bow strokes
- Chapter 17: Low 2nd finger
- Using The Left Hand
- Chapter 13: 1st finger
- Chapter 15: Major scales and arpeggios
- Chapter 16: 3rd finger
- Chapter 23: Compound Time and Semiquavers
- Chapter 8 backing tracks
- Chapter 9: Bowing in the Upper Half
- Forming the bow hold with a pencil
- Holding the bow at the frog
- Book 2: Backing tracks
- Book 2 backing tracks: chapter 10
- Book 2 backing tracks: chapter 11
- Book 2 backing tracks: chapter 12
- Book 2 backing tracks: chapter 13
- Book 2 backing tracks: chapter 14
- Book 2 backing tracks: chapter 15
- Book 2 backing tracks: chapter 2
- Book 2 backing tracks: chapter 3
- Book 2 backing tracks: chapter 4
- Book 2 backing tracks: chapter 5
- Book 2 backing tracks: chapter 7
- Book 2 backing tracks: chapter 8
- Book 2 backing tracks: chapter 9
- Mp3 backing tracks (book 1)
- Chapter 10 backing tracks
- Chapter 11 backing tracks
- Chapter 12 Backing Tracks
- Chapter 13 backing tracks
- Chapter 14 backing tracks
- Chapter 15 Backing Tracks
- Chapter 16 backing tracks
- Chapter 17 backing tracks
- Chapter 18 backing tracks
- Chapter 19 backing tracks
- Chapter 20 backing tracks
- Chapter 6 Backing Tracks
- Chapter 8 backing tracks
- Chapter 9 backing tracks
- Backing Tracks: Chapter 3
- Mp3 backing tracks (book 2)
- Troubleshooting
- Using the 4th finger without tension
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